“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn't recognize his own song when the Byrds performed it for himdalyllama35

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn't recognize his own song when the Byrds performed it for him

The size of your cock will get you nowhere

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn't recognize his own song when the Byrds performed it for him

Welcome to the subreddit of the poet laureate of rock 'n' roll. The voice of the promise of the '60s counter-culture. The guy who forced folk into bed with rock. Who donned make-up in the '70s and disappeared into a haze of substance abuse. Who emerged to find Jesus. Who was written off as a has-been by the end of the '80s and who suddenly shifted gears, releasing some of the strongest music of his career beginning in the late '90s. Ladies and gentlemen — Columbia recording artist Bob Dylan!

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

“Bob said, ‘What’s that?’ I told him, ‘That’s one of your songs, man.’” Roger McGuinn says Bob Dylan didn&#39;t recognize his own song when the Byrds performed it for him

George Thorogood on his “mutt” amp, and talking shop with Hound Dog Taylor

“The only guitar I could ever play was the 125, but I wore them out – they were costing thousands to repair. They stopped making them around 1970; I was ready to stop playing”: George Thorogood on his “mutt” amp, and talking shop with Hound Dog Taylor

“The only guitar I could ever play was the 125, but I wore them out – they were costing thousands to repair. They stopped making them around 1970; I was ready to stop playing”: George Thorogood on his “mutt” amp, and talking shop with Hound Dog Taylor

“The only guitar I could ever play was the 125, but I wore them out – they were costing thousands to repair. They stopped making them around 1970; I was ready to stop playing”: George Thorogood on his “mutt” amp, and talking shop with Hound Dog Taylor

“The only guitar I could ever play was the 125, but I wore them out – they were costing thousands to repair. They stopped making them around 1970; I was ready to stop playing”: George Thorogood on his “mutt” amp, and talking shop with Hound Dog Taylor

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“When you’re a kid, you go, ‘I could never be as good as a real rockstar,’ and here’s a guy that’s amazing, and he’s missing parts of his fingers”: Adam Jones on Tony Iommi’s influence and what took Tool so long to join Black Sabbath’s last hurrah

“We never claimed to be virtuosos, we were virtu-no-sos! Call them overdubs or call them replacing things that weren’t up to snuff. I make no apologies”: Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig

“We never claimed to be virtuosos, we were virtu-no-sos! Call them overdubs or call them replacing things that weren’t up to snuff. I make no apologies”: Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig

Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig

“We never claimed to be virtuosos, we were virtu-no-sos! Call them overdubs or call them replacing things that weren’t up to snuff. I make no apologies”: Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig

“We never claimed to be virtuosos, we were virtu-no-sos! Call them overdubs or call them replacing things that weren’t up to snuff. I make no apologies”: Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig

“We never claimed to be virtuosos, we were virtu-no-sos! Call them overdubs or call them replacing things that weren’t up to snuff. I make no apologies”: Paul Stanley on the success (and controversies) of Kiss&#39; Alive!, and the band&#39;s upcoming unmasked gig